THE GHOSTWRITER

MY WORKING PHILOSOPHY

Dancing With Words

Dance is the movement of the body in a rhythmic manner, and when conscious effort is deployed to its artistic choreography, dance is the most elegant expression of human rhythm. I am a dancer. I dance with words, in very much the same manner that the ballet performer dances with her feet. I dance with words to create authors out of storytellers. I not only creep into your head to retrieve and tell your story, elegantly weaving and stringing the words together with near-sublime creativity, I also surreally manage to achieve such a profound emotional connection with you that I tell your story in a ‘voice’ so unique to you as to render your book a combined potent, profound and powerful personal rendition of your remarkable life experiences.

I have ghostwritten close to 80 books for authors all across the globe. Surrogacy involves a woman agreeing to carry and give birth to a baby for someone who is unable to carry a pregnancy to term. After the baby is born, the birth parent cedes custody and guardianship to the intended parents. I am a surrogate of sorts. I assume, on your behalf, the burden of carrying your manuscript to term. At the birth of the manuscript, I relinquish, in totality, the rights to the book’s intellectual and commercial property. To put matters in a nutshell, those that are in need of manuscript surrogacy recognize that, as an enduring quality that is more about being remembered than being noticed, my work defines grace and style in impeccable writing, while celebrating, in the simplest manner imaginable, the divine combination of the pleasingly ingenious and the uncommonly creative.

If you are the sort of person who believes that raw talent is as rare as that rarest of gemstones, the Red Garnet; no pun intended, and not the sort of person who believes that talent exists only within the confines of what is as ordinarily available as 14-Carat Gold, then I humbly crave your indulgence to read further.

MY COVENANT WITH YOU

I commit myself to a timeline of 60 days for completion of your book. I am able to achieve this speedy completion of your manuscript because of my overall speed and accuracy in research, assimilation of relevant material, and collation and documentation of material. 

I commit to deploying sheer versatility of expression, and sheer brilliance of graphic imagery, such that the final outcome of your manuscript is nothing short of a celebration of literary art. 

I commit to deploying epigrams, epigraphs, metaphors, prose and dialogue, in such a seamless and fluid manner, that your manuscript is an incomparable masterpiece of contemporary literary effort, if not simply a monument to it.

I commit to being that strategic thinker that will help ease you through an articulation of thought processes and intentions with regard to your manuscript. As a strategic thinker, I will ‘occupy space’ in your head, and take the liberty of thinking for you. That also means I effortlessly and literally become as you with regard to your book.

I commit to first assist you in articulating your book title, and the chapter-by-chapter outline of the entire book, even before we start writing the manuscript. That way, for all practical purposes, we have already finished writing the book even before we start writing the book. Ultimately, it is what we can see in our mind’s eye that we will eventually get. A carefully crafted book title carries a power and authority that proclaims the creative potency behind your literary effort. That, in itself, is because the entire wisdom of the book is contained in the title. By the same token, an opening epigraph can be so relevant that, if you can glean its literary essence, you might as well have read the entire book.

I commit to baking your literary cake. A master baker is a consummate culinary professional who deploys fresh and innovative concepts to the art of pastry making and cake baking. No aroma quite surpasses the heady and totally delectable fragrance of freshly baked cake. By the same delightful token, nothing quite beats the sheer feeling of literary intoxication that overwhelms one when one reads the superlatively-written manuscript that is the handiwork of a master ghostwriter. That is because the master ghostwriter is a master baker of sorts. I will bake you a sumptuous literary cake by creatively deploying language to bring raw emotions to the surface in all your encounters, and in such a singularly unique manner that your ‘voice,’ as the ultimate author of your own book, is decidedly not subsumed by mine. 

I commit to fastidious research, as my forte is the incomparable ability to mold and add relevant ‘flesh’ to the sketchy information you avail me with, not unlike how muscles clothe a skeleton to produce the human form. Employing the perfect combination of intuitive knowledge and intellectual discipline, I will remain firmly on track to ask just the right questions that uncannily extract the real essence of your experiences, in the process commanding and deploying precision and skill to bring out the best version of your story from you. 

A PERSONAL ENCOUNTER

Creating Authors Out of Storytellers

“Passion is the powerful and emotive current of Divine grace that allows you to become a privileged conduit of service for the manifestation of Divine creativity.” – Yomi Garnett

David Llewelyn-Jones belongs to my exclusive club of highly-esteemed protégés. He is a fairly unassuming, yet rather well-heeled member of Britain’s aristocracy. Transatlantic calls are a regular feature of our interactions. A couple of days ago, he called me from his elegant pied-à-terre in London’s smart West End.

“Top of the evening to you, mentor! How are you today?” he intoned in his clipped, and singularly upper-crust British accent and inflection.

“I am in totally capital form, my dear fellow,” I responded, echoing his BBC accent to the dot.

“Sometime ago, you celebrated the tenth year anniversary of your firm, Royal Biographical Institute. My good friend, Lord Richard Stewart-Clark, read that post and was rather intrigued. Apparently, he entertains the notion of writing a book on the history of his 700 year-old dukedom in the British West Midlands, but hasn’t the faintest clue how to go about it. He wondered  if that sort of thing might quite possibly be right up your alley.”

“Indeed, David, Royal Biographical Institute, ROBIN, is a world-class ghostwriting service and Creative Communications Consultancy. It is in the business of writing books for and on behalf of people. We put our discerning clientele through the paces, and before you can say ‘Jack Robinson,’ they have become published authors!”

“How perfectly intriguing, mentor. I intend to record this conversation, if you don’t mind, as I’m sure His Lordship will want to know more about your services.”

“I haven’t the faintest aversion to being recorded, my dear fellow.”

“How exactly would you assist an aspiring author like the duke achieve his literary objective?” David asked.

“To put matters in a nutshell, I would receive his thoughts and ideas, synthesize them with such creativity that the entire narrative is translated into words that reflect his own ‘voice,’ and then present him with his own manuscript.”

“My interpretation is that he will be listed as the author of the book, is that correct?”

“Absolutely! Especially if the manuscript is written in the first person narrative. However, some people want their biography written, rather than an autobiography, in which case the ghostwriter is listed as author, since it is written in the second person narrative. The choice is entirely up to the client.”

“I can now see why it is called ‘ghostwriting.’ Would you like to tell us more about it?”

“David, you’d be surprised at just how many people wish to tell their personal story in book form, especially if their life has been characterized by some life-transforming or epochal event. Some others wish to tell a story of entrepreneurial success, either to promote their brand, or simply to inspire others. I deploy the combination of relevant and accurate research, and language proficiently delivered with superlative fluency, to arrive at a literary outcome that is, not unexpectedly, written and finished in exquisite literary taste.”

“How does the process start?” David asked, by now totally entranced.

“We would start by focusing on an outstanding introduction, which is the foundation for a great literary effort. It can be likened to the road map, guide or navigator’s Northern Star, if you like. Your introduction will answer three vital questions. What is the book all about? Who am I, the author? Why would you, the reader, wish to read my book? The next major task will be to help you think of your reader. A great mistake most authors often make is talking about their life, business or the lessons they’ve learnt without first relating with their reader on an emotional level. So, to engage maximal reader attention, I will assist you in drawing your reader to you by telling your story in such a compelling manner that your reader can relate with you as a kindred spirit. Everyone has a unique legacy. I would highlight yours. I would also highlight the most significant moments, the best moments, and the worst moments in your story. Remember that your challenges are a learning tool for someone else, and will also help others know how to handle obstacles on their own personal journey. Ultimately, the vital question will always remain; ‘what is that legacy, passion, gift, challenges, or life vocation that you fervently wish others to learn from?’ Another thing that will provide your book with an incredible readership leverage is a synopsis. This is a beautiful and concise two-paragraph summary that will convey the message of the entire book. An art in itself, it gives your book a ‘powerful pitch.’ Then, as soon as we sign a contract, I would guide you in crafting a befitting book title, and an outline of the chapters.”

“Surely, putting together thousands of words must be the greatest challenge in writing a good book. How do you manage to achieve that feat?”

“Although that may well be true, David, the entire enterprise is inalienably obligated to present you as someone with the inexhaustible store of words that will adequately convey your thoughts, emotions, and overall message. During the writing process, I would ask you leading questions that will draw out inspired thoughts from your mind. As long as you are absolutely clear about what you want to write about, my role will be to encourage you to simply focus on the message you wish to convey to your reader. You’d be surprised at just how beautifully those ‘thousands of words’ will roll out as long as we focus exclusively on your message. Yet, my dear fellow, even a million hollow words would be merely engaging in the ill-choreographed and bizarre dance of a dysfunctional masquerade at a village square if they do not speak directly to the reader’s heart. To that significant end, one’s deployment of an innate strength of expression with prose and dialogue essentially also translates to a proficiency at putting interactive dialogue together in such a way as to poignantly bring raw emotions to the surface in any encounter. What is more, all these occur at a speed that does nothing to impair the average client’s insistence on relevant research, which itself is conducted with a rare combination of literary acumen and accuracy. “

“How long does it take to write the average book?” David asked.

“Most people think it takes ages to write a book. Nothing could be further from the truth. Quite frankly, as soon as the first sentence is written, the book is as well as finished. This is because, in the right hands, it is nothing short of a magically seamless and divinely-creative process.” 

“Mentor, you live in the United States. His Lordship lives in England. How much of a challenge does this distance pose in the ghostwriting process?” David asked.

“David, if the internet has reduced the world to a global village, the miracles that are smartphones, Skype, Zoom, WhatsApp and email have constricted the world into a mere corner in a room. These days, it is not only of little or no importance to live close to your ghostwriter, it might, in fact, be actually cost-effective if you don’t.”

“What sort of fee might one be expected to pay, Doctor?”

“Ghostwriters tend to attract premium compensation. That should hardly surprise anyone. No professional service of superlative quality is cheap. Generally, though, the fee will depend on the size of the book, client accessibility, and certain peculiar requirements, such as intensive research, transcription services and travel expenses. These usually attract fee considerations. In my own case, however, I am more inclined towards a specific billing arrangement that charges by the size of the project.”

“Sir, do you provide some latitude for negotiating the fee?”

“Of course! My policy is to try to seek a common ground with a potential client. I try my best not to decline potential clientele on financial grounds. Somehow, we ought to be able to arrive at an equitable arrangement. That is because I view creative writing more as a life calling in which I am purposefully invited by the Divine to co-create the universe by assisting others achieve their own life purpose. Yet, I think the fundamental constraint with most people is that they tend to see ghostwriting as a hobby that some people indulge in. That perspective is as faulty as it is fatally presumptuous. Professional writers are just like everyone else. They need to earn a living.”

“Do you have anything to do with publishing a manuscript?”

“Decidedly not. I am exclusively focused on writing. However, I could suggest possible options for the publishing of a manuscript.”

“Mentor, your passion is infectious!” 

“My dear fellow, it cannot be otherwise. The passion of which you speak is actually a powerful and emotive current of Divine grace. In sacrosanct truth, I am merely a conduit of service for the manifestation of Divine creativity.”

“Thank you, Mentor. Something tells me my own book may come before His Lordship’s!”

Baking Your Literary Cake

A master baker is a consummate culinary professional who deploys fresh and innovative concepts to the art of pastry making and cake baking. No aroma quite surpasses the heady and totally delectable fragrance of freshly baked cake. 

By the same delightful token, nothing quite beats the sheer feeling of literary intoxication that overwhelms one when one reads the superlatively-written manuscript that is the handiwork of a master ghostwriter. That is because the master ghostwriter is a master baker of sorts.

Your ghostwriter not only bakes a sumptuous literary cake with his incomparably rich vocabulary, he embellishes the outcome with an icing on the literary cake he bakes for you with the vast repertoire of words, phrases and metaphors that afford him the luxury of creatively manipulating language in such a way as to bring raw emotions to the surface in any encounter, and in such a singularly unique manner that your ‘voice,’ as the ultimate author of your own book, is decidedly not subsumed by his.

Yomi Garnett MD

Fleshing Out The Skeleton of Your Story

Your ghostwriter is a remarkably fastidious researcher. His forte is the incomparable ability to mold and add relevant ‘flesh’ to the sketchy information you avail him with, not unlike how muscles clothe a skeleton to produce the human form. Employing the perfect combination of intuitive knowledge and intellectual discipline, he remains firmly on track to ask just the right questions that uncannily extract the real essence of your experiences, in the process, not only commanding and deploying confounding precision and skill to bring out the best version of your story from you, but also creatively manipulating language in such a way as to bring raw emotions to the surface in all your encounters, and in such a singularly unique manner that your ‘voice,’ is decidedly not subsumed by his.

Yomi Garnett MD

Beginning With The End In Mind

“The most sublimely creative aspect of writing a book is that it is possible to finish writing a book even before writing the book.” – Yomi Garnett 

The ghostwriter is a daydreamer, albeit on the creative turf. Creative daydreaming is otherwise known as creative imaging, or creative visualization, if you will. Anytime I set a goal to pursue an objective, I always play a mental game. I would create a clear and graphically-vivid picture of my goal as it would appear if it were already achieved. I would then imagine my mind as some form of screen. I would replay this picture over and again on this mental screen. That is what is called creative visualization. 

This exercise, albeit in a modified form, assumes even greater import in my career as a ghostwriter. I uncompromisingly begin with the end in mind by first helping my client articulate a book title, and the chapter-by-chapter outline of the entire book, even before I start writing the manuscript. That way, for all practical purposes, we have already finished writing the book even before we start writing the book. Ultimately, it is what you can see in your mind’s eye that you will eventually get.

Yomi Garnett MD

The Incomparable Power of Your Book Title

A carefully crafted book title carries a power and authority that, in the same instance, proclaims the sheer creative potency behind the literary effort that was deployed to writing the book. That, in itself, is because the entire wisdom of the book is contained in the title. If you understand the title, you could, in all probability, safely dispense with reading the book. By the same sublime token, an opening poem, or an epigraph, can be so patently relevant that, if you can glean its literary essence, you don’t need to read the book either.

For instance, James Allen’s 1904, all-time classic, ‘As A Man Thinketh,’ opens with this poem:

“Mind is the master power that molds and makes,

And we are Mind, and evermore we take,

The tool of thought, and shaping what we will,

Bring forth a thousand joys, a thousand ills.

We think in secret, and it comes to pass.

Our world is but our looking glass.”

As Eckhart Tolle brilliantly puts it in the epigraph to ‘The Power of Now,’ “You are here to enable the divine purpose of the universe to unfold.”

I put it to you that you are infinitely greater, and irrepressibly more powerful, than you may think. You are, in truth, and indeed, part of a limitless field of creative possibilities. Write that book today. Tomorrow, quite frankly is not even remotely, guaranteed.

Yomi Garnett MD

 

THE GHOSTWRITER AS DANCER

“The ghostwriter is a dancer. He dances with words.” – Yomi Garnett

Yoshimo Takahito is one of my protégés. He works as a senior floor supervisor at one of Japan’s biggest automobile assembly factories. He had a question for me.

“Mentor, what do you do for a living?”

“I am a ghostwriter,” I answered simply.

“Good heavens, sir! Do you mean you have to transform into a ghost to write?” He asked with insufferable, if not confounding, innocence.

“Good Lord, no, my dear fellow!” I erupted in laughter, eminently amused.

“In that case, who is a ghostwriter?” He asked.

I replied with as much candor as I could muster.

“Dance is the movement of the body in a rhythmic manner, usually to the accompaniment of music, for the purpose of expressing an idea or emotion, or simply taking delight in the movement itself, and when conscious effort is deployed to its artistic choreography, dance is the most elegant expression of human rhythm, form and movement. 

The Ghostwriter is a dancer. He dances with words, in very much the same manner that the ballet performer dances with her feet. The Ghostwriter receives the thoughts and ideas of someone, and then synthesizes them with such creativity that the entire narrative is translated into words that totally reflect that person’s ‘voice’ in a book manuscript. In the process, The Ghostwriter also deploys uncommon proficiency with prose to poignantly bring raw emotions to the surface in interactive dialogue. The Ghostwriter is a remarkably fastidious researcher who adds relevant ‘flesh’ to the sketchy information he is availed with, not unlike how muscles clothe a skeleton to produce the human form.

Ultimately, because The Ghostwriter is a grandmaster at the rarefied art of extracting adventures and experiences from memories, and translating them into the written word, expressed as simply and as elegantly as language will benevolently permit, The Ghostwriter is master at the art of creating authors out of storytellers.”

Yomi Garnett MD

 

WRITING A BOOK

A Letter To You

Dear Friend on This Exciting Journey,

Ghostwriting does have a process, and I am both humbled and delighted to put you through it. Please note that ghostwriting is actually my vocation. It is not a hobby. I do nothing else, and quite expectedly, since it is whatever we focus exclusively upon that expands in our life, I have become more proficient in it with each passing day. 

As a ghostwriter, I assist people to articulate a book concept, and then use their basic thoughts and precepts to produce a manuscript. What I do is to first study the peculiarities of a client’s literary objective, as I have, quite obviously, already done with yours. Then, I come up with a working format that I am intuitively of certitude will produce the best outcome for the client. Right from the outset, you need to know that I take my work very seriously. I deploy uncommon professionalism to it. I have no choice in the matter, as I have a fairly high standard to maintain, and an unimpeachable literary reputation to sustain.

I will articulate a process we will adopt, having carefully studied your basic background objective. It won’t be complex. It will serve your best interest. The one thing I can promise you is a book of totally superlative standard. I never start a project I cannot finish to exemplary literary taste. Frankly, I even tell my clients that if they know they cannot commit to a superlative outcome, then they should count me out of their book project. As soon as a project decision is made, I adhere strictly to the schedule, as my hands are always full. 

My book writing process is elaborate, yet not complicated. After we have gone through the process of articulating a TITLE and SUBTITLE, and then drawn up a chapter-by-chapter Book Outline, you will take each chapter and thoughtfully and carefully pen down your notes. These will be the facts you wish to disclose, and the thoughts you wish to express. I will then get down to work and carefully re-articulate your thoughts, expanding the content you give me into a book chapter. 

If you are really serious about writing your book, we can do it. I charge premium fees, as would be expected from my pedigree. However, I do try as much as possible to strike a common and equitable financial ground with my clients. I tend not to turn anyone away on account of fees. This is simply because I see my vocation as a significant contribution to the evolution of others.

Yomi Garnett

Philadelphia, Pennsylvania